《廁所在這里》：
一個女人想在繩子上結束自己的旅行。一個男人來到想要推銷莫名其妙的東西。
女人佇立著，凝視懸于樹梢的繩索，絕望充滿內心，悄然彌漫。這個男人的存在，居然是為所有陌生人指向廁所的方向。
這對男女的“日常”對話慢慢展開，在寂靜中生長出怪誕的枝椏。
何為正常？何為怪異？
那被反復指引的廁所，真的存在嗎？
女人的古怪提議，是求救還是瘋狂？
男人的職業，是助人還是虛無的儀式？
只有低語在空氣中懸浮。世界兀自運轉。如常，無常，反常，超常。
編劇別役實被譽為日本荒誕派戲劇奠基人。
A woman contemplates ending her journey on a rope. A man arrives attempting to peddle nonsensical wares.
The woman stands frozen, gazing at the noose hanging from a tree branch, despair flooding her heart, spreading silently. This man exists solely to direct all strangers toward the restroom, as if it were a sacred duty.
The "ordinary" dialogue between them slowly unfolds, growing twisted branches of the absurd within the stillness.
What is normal? What is bizarre?
Does the repeatedly directed restroom even exist?
Is the woman’s strange proposal a cry for help or pure madness?
Is the man’s profession genuine assistance or a ritual of emptiness?
Only whispers hang suspended in the air. The world spins on its own axis—routine and irregular, ordinary and extraordinary.
Playwright Betsuyaku Minoru is hailed as a founding figure of Japanese absurdist theater.
導演：黃湘麗
孟京輝戲劇工作室演員，青年藝術家。
舞臺劇代表作品：孟京輝導演《戀愛的犀牛》、《一個陌生女人的來信》、《一個女人一生中的24小時》、《夜色溫柔》、《你好，憂愁》、《九又二分之一愛情》、《狐貍天使》、《傷心咖啡館之歌》、《第七天》、《蝴蝶變形記》、《鏡花水月》、《愛比死更冷酷》等。作品巡演于法國、德國、美國、澳洲、新西蘭、埃及等多個舞臺和藝術節。
電影代表作品：婁燁導演《蘭心大劇院》。
黃湘麗擁有十幾年近3000多場的舞臺劇表演經驗，被眾多觀眾粉絲譽為“中國的獨角戲女王”。
Director: Huang Xiangli
Actor at the Meng Jinghui Theatre Studio, established young artist.
Representative Stage Works (directed by Meng Jinghui):
Rhinoceros in Love, Letter from an Unknown Woman, 24 Hours in the Life of a Woman, Tender Is the Night, Bonjour Tristesse, Nine and a Half Loves, The Angel of Foxes, The Ballad of the Sad Café, The Seventh Day, Butterfly Transformation, Flowers in the Mirror, Moon on Water, Love Is Colder Than Death.
Her works have toured globally, gracing stages and festivals in France, Germany, the United States, Australia, New Zealand, Egypt, and beyond.
Film Work:
Lou Ye’s Saturday Fiction.
With over a decade of stage experience spanning more than 3,000 performances, Huang Xiangli is celebrated by audiences and critics as "China’s Queen of Monodrama."
